
meeting #1
May 25-26, 2007
Methods of Developing Text in the Performing Arts
Entré Scenen, Aarhus, Denmark
Meeting # 1 was an unconventional mixture of live experiments, knowledge sharing, discussions, performance and a party. We welcomed performing arts professionals, artists, researchers and students to experience presentations and to participate in talks, e.g. with:
- Actor and director Marcello Magnifrom the British Theatre Complicité
- Director Eugenio Barba and performer Julia Varley from Odin Teatret (DK)
- Performance artist Thomas Hejlesen and different directors/choreographers from Kulturhus Aarhus’ artistic laboratories
- Janek Szatkowski from the Centre for Theatre Laboratory Research
- Danish director Isabelle Reynaud and German director Clemens Bechtel
- Director/researcher Adam J. Ledger (UK) and performer Jill Dowse (UK) carrying out a live site-specific experiment;
- Club Fisk/Kasper Daugaard Poulsen presenting a performance on Saturday evening: Forestillinger
Forestillinger is a performance with two dancers, two costume changes, two black markers, an easel, and an illustrated explanation of the piece and its structure. What happens to us and our reception of a work of art, when everything is obvious, having been explained to us beforehand? Review extract: “Liberating, hilarious choreography.” Danstidningen (SE)
Furthermore, a young performance group presented the results of an experiment about developing a performance based on the German sociologist Luhmann’s philosophy; the audience could also participate in a live experiment with improvising musicians and dramatists and study the results of the past 2 years of experiments in the Laboratory, presented as a mixture of documentation and installation.

Meeting # 1 was a forum for performing arts professionals and researchers from Denmark, the Nordic countries and Europe. Participants, invited keynote speakers and artists shared their views on unconventional text development for the performing arts, and participated in discussions about their methods and experiences.
Meeting # 1 was the culmination of the Laboratory’s two years’ of experiments with contemporary methods of developing text for the theatre.
Meeting # 1 aimed to be a source of inspiration to discover and develop new ways of approaching the element of text in the performing arts.
Meeting # 1 was realized by the Laboratory in collaboration with
Entré Scenen,
Kulturhus Aarhus,
CTLS
Dept. of Dramaturgy (University of Aarhus)
The Laboratory is supported by the Danish Art Council’s Performing Arts Committee and by the City of Aarhus.